VCR THE XX TAB NOTES PRO
🙂Ī better way is to use the the pro 14 mixer to treat the channel 3 input as mono (bring it from the 286s to the pro 14 with a single 6.5mm TRS “stereo” jack, and record in loopback mode as you describe later in the podcast. If not, just ignore everything I just said. If I am right, the signal will completely disappear. A good test of this would be to record stereo on channels 3 and 4 and then use a “sum to mono” effect or some such. However, if channel 3 and 4 are being treated as a stereo pair then as I mentioned above, they will be in anti-phase. If you are using audition for most of your work (and I’m sure you probably will be) then this isn’t a problem as audition is treating input 3 as mono, and not the left of a stereo pair. one channel will be 180 degrees out of phase with the other (anti phase). If you are splitting this signal into a dual mono input (stereo jack to dual mono jack cable) and presenting it as stereo to the pro 14 then you may run into an issue. Strictly speaking, its not a 6.5mm stereo jack, its a TRS jack as it carries a mono balanced signal. “the 6.5mm stereo jack goes into the back of the dbx 286s and splits into 2 mono jacks” 🙂īut I just wanted to draw a little attention to your setup, specifically: I’ve been a follower of your YouTube videos and podcasts for a while, and even got myself a 286s and a pro 14 as a result of seeing one them and I’m really happy. Sometimes you want to record the output from your computer, or record your voice, there will be many different presets there and you can look for the Routing Presets section to do all this. If you open up Sapphire Mix Control you can do many different things.
VCR THE XX TAB NOTES INSTALL
Jon Buscall from the Online Marketing and Communications Podcast asked me about the Sapphire Mix Control which is software that you can install to operates your Focusrite audio interface, in this case the Focusrite Sapphire Pro 14. But in adobe audition you can choose either input and use it as mono so if you like, once you plugged everything into 3 and 4 you can then select what you’d like in Adobe Audition preferences so you can select just channel 3 on both left and right. I explained that this is because some software will pick up both of those channels as one and you can’t select either one. You may wonder of why I do things like that so I answered the question why not just use input 3 or input 4 seeing that it’s a mono input. I now use and highly recommend Scarlett 2i2 instead. ***UPDATE*** Since we have recorded this episode the Focusrite Sapphire Pro 14 is no longer available for purchase. There are also other great products which you can use like Focusrite Scarlett 2i2, which might be a little less advanced but it’s great for traveling voice artists and plugs in via USB.
Focusrite did say on their website that you can use thunderbolt but I think you need to buy some converter for it. However, the new iMac hasn’t got firewire anymore but it’s a Thunderbolt connector instead. The Focusrite Sapphire Pro 14 then goes from firewire into firewire on the back of an iMac or a PC. I use inputs 3 and 4 because in this particular setup, 3 and 4 are for my Audio Technica 4033a and that goes into the back for voice overs but into inputs 1 and 2 which are XLR (or 6.5mm) inputs you can put other mics in there. To do this, a quality cable is essential because I then go into inputs 3 and 4 on the back of my Focusrite Sapphire Pro 14*** with 2 mono male 6.5mm jacks.
To set up the dbx 286s, the 6.5mm stereo jack goes into the back of the dbx 286s and splits into 2 mono jacks. Audio Technica described above is a great mic for the mid range budget. ***UPDATE*** Since recording this episode and tutorials I have now upgraded to NEUMANN TLM103 I could not have been happier with the switch and highly recommend this microphone to anyone who is taking their voice over career seriously. I created a quick video about how I set my dbx 286s up. That’s where I run my dbx 286S settings on the microphone to boost the bass, treble, enhancer, expander, and all those stuff that makes you sound really cool. The mic cable goes into the mic input of the dbx 286s Microphone Preamp / Processor which is the very right hand input.
So I need a cable that goes from female XLR to male XLR and plug it first into the back of the AT4033a. Basically, for voiceover I use the Audio Technica AT4033a Microphone*** and that has a microphone output which is a male XLR microphone output. I started with the microphone and explained a bit about how I run things.
VCR THE XX TAB NOTES HOW TO
Also, recently Lawrence Daniels said that my expertise in recording studio equipment proved invaluable and wondered if I could do a detailed explanation on how to hook up all the appliances with the microphone and make it function with Adobe Audition. The reason we recorded this podcast is because voice over artist Arthur Muhl asked me a question about how I cable everything together from my microphone to the computer.
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